Roland MC-101 Bruksanvisning

Roland Ikke kategorisert MC-101

Les nedenfor 📖 manual på norsk for Roland MC-101 (21 sider) i kategorien Ikke kategorisert. Denne guiden var nyttig for 3 personer og ble vurdert med 4.5 stjerner i gjennomsnitt av 2 brukere

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Side 1/21

Functions Added in Ver.1.80

Undo/Redo Function Added

This function lets you revert a phrase to how it was just before it was

edited.

* The messages “Can’t UNDO” or “Can’t REDO” are shown when undo/

redo can’t be performed.

Undoing the previous operation

(UNDO)

Press the [EXIT] and MEASURE [<] buttons at the same time.

“UNDO” is shown in the display, and the sequencer returns to the

previous state.

For a step recording, this undoes the step that you just inputted or

erased.

For a real-time recording, this undoes the recorded step and motion

state.

* When you switch between tracks or clips, the undo content is erased.

* You can’t undo or redo while recording in real time.

* You can undo up to 10 times.

Reverting an Undo Operation

(REDO)

Press the [EXIT] and MEASURE [>] buttons at the same time.

“REDO” is shown in the display, and the data reverts to how it was

before you did the undo operation.

Tone Partial Editor Function Added

A simple partial editing function for tones has been added.

Hold down the [SHIFT] button and press the [SOUND]

button.

Select PARTIAL to display the EDIT screen.

* While holding down the [SHIFT] button, press the [SOUND], [FILTER],

[MOD] or [FX] button to turn the partial on/o that you want to edit.

Use the [C1]–[C4] knobs to edit the values.

* You can edit the parameters by holding down the [SOUND], [FILTER],

[MOD] and [FX] buttons and turning the [VALUE] knob.

COM

(COMMON)

Here you can make settings related to voicing.

Parameter Value Explanation

OCT

(OCTAVE)

-3–+3

Species the pitch of the tone in octave

units (maximum of ±3 octaves).

M/P

(MONO/POLY)

MONO, POLY

Species whether the tone plays

polyphonically (POLY) or monophonically

(MONO).

MONO: Only the note of the last-played key

is played, one note at a time.

POLY: Multiple notes can be played

simultaneously.

PRT

(PORTAMENTO SW)

OFF, ON

Species whether the portamento (*1)

eect is applied (ON) or not applied (OFF).

TIM

(PORTAMENTO TIME)

0–1023

Species the time over which the pitch

changes when using portamento. Higher

settings will cause the pitch change to the

next note to take more time.

ANL

(ANALOG FEEL)

0–127

Applies time-varying change to the pitch

and volume of the tone that is producing

sound, adding a sense of variability. As you

increase this value toward the maximum,

the variability becomes greater, producing

instability.

Parameter Value Explanation

CRS

(COARSE TUNE)

-48–+48sem

Adjusts the pitch of the tone’s sound up or

down in semitone steps (+/-4 octaves).

*1 Portamento is an eect which smoothly changes the pitch

from the rst-played key to the next-played key. By applying

portamento when the MONO/POLY parameter is “MONO”, you

can simulate slide performance techniques on a violin or similar

instrument.

OSC 1–4

Here you can make settings for the oscillators of each partial.

Parameter Value Explanation

OSC

(OSC TYPE)

PCM, VA, PCM-

Sync, SuperSAW,

Noise

Species the oscillator type.

PCM: Sound is produced by PCM. This

sounds the wave specied by WAVE GROUP

TYPE, WAVE BANK, and WAVE NUMBER.

VA: Sound is produced by an

analogmodeled wave generated by

calculation. This sounds the wave of the

number specied by WAVE FORM.

PCM-Sync: Sound is produced by the wave

specied by the SYNC WAV.

SuperSAW: Sound is produced by

SuperSAW.

Noise: White noise is produced.

GRP

(WAVE GROUP TYPE)

INT, SAMP

INT: When OSC TYPE is PCM, the internal

waveforms of the MC-101 are used.

SAMP: When OSC TYPE is PCM, the

waveforms loaded into the project are used.

BNK

(WAVE BANK)

A, B, C

When OSC TYPE is “PCM” and the WAVE

GROUP TYPE is “INT”, this sets the banks (A–

C) to sound.

WAV

(PCM: WAVE NUMBER)

When OSC TYPE is “PCM”, this species the waveform number

in the group specied by WAVE GROUP TYPE and in the bank

specied by WAVE BANK.

Species the sample number when WAVE GROUP TYPE is SAMP.

WAV

(VA: WAVE FORM)

SAW, SQR, TRI, SIN,

RAMP, JUNO, TRI2,

TRI3, SIN2

Species the wave that is sounded when

OSC TYPE is VA.

SAW: Sawtooth wave

SQR: Square wave

TRI: Triangle wave

SIN: Sine wave

RAMP: Ramp wave

JUNO: Modulated sawtooth wave

TRI2: Triangle wave variation

TRI3: Triangle wave variation

SIN2: Sine wave variation

(PULSE WIDTH)

0–127

This is an eect obtained by varying the

pulse width duty cycle to modify the

waveform.

It is available when OSC TYPE is VA, and also

allows you to create eects with other than

SQR (square wave).

PWM

(PWM DEPTH)

-63–+63

Species the amount (depth) of LFO applied

to PULSE WIDTH.

LFO follows the settings of LFO2.

(PARTIAL SWITCH)

OFF, ON Turns the partial on/o.

CRS

(COARSE TUNE)

-48–+48

Species the pitch in semitone units

(maximum ±4 octaves).

FIN

(FINE TUNE)

-50cen–+50cen

Species the pitch in one-cent units

(maximum ±50 cents).

LEV

(LEVEL)

0–127 Species the volume of the partial.

MC-101 Update

MC-101 Update – Functions Added in Ver.1.80

OSC

(PCM-SYNC)

Parameter Value Explanation

WAV

(PCM-Sync: SYNC WAV)

Species the wave that is used when OSC TYPE is PCM-Sync.

OSC

(SuperSAW)

Parameter Value Explanation

DET

(SuperSAW: DETUNE)

0–127

Species the width of pitch variance

between the seven sawtooth waves that are

layered within one oscillator.

Higher values produce greater pitch

variance. (When doing this, OSC Detune

changes the pitch for each of the seven

sawtooth waves by the same width.)

OSC MOD 1-2/3-4

(Structure)

Structure lets you play two partials as a pair.

By using partial 1 or 3 (the carrier) to modulate the other partial 2 or

4 (the modulator), you can create a wide range of tonal characters.

Parameter Value Explanation

STR

(STRUCTURE)

Partial 2 or 4 is used to modulate the sound of partial 1 or 3.

OFF O

SYNC

This implements the oscillator sync function

that is provided by analog synthesizers.

The oscillator of partial 1 or 3 is reset at

pitch cycles of partial 2 or 4.

* This is only enabled when the OSC TYPE of

OSC1 or OSC3 is “VA” or “PCM-Sync”.

RING

This implements the ring modulator that is

provided by analog synthesizers.

The output of partial 2 or 4 is multiplied

with partial 1 or 3.

XMOD

XMOD2

This implements the cross modulation

function that is provided by analog

synthesizers.

The output of partial 2 or 4 is applied as the

pitch of partial 1 or 3.

LV1/3

(OSC1/3 LEVEL)

0–127 Adjusts the volume of OSC 1 or 3.

LV2/4

(OSC2/4 LEVEL)

0–127 Adjusts the volume of OSC 2 or 4.

RNG

(RING LEVEL)

0–127 Adjusts the volume of ring modulation.

MOD

(MOD DEPTH)

0–10800 [cent]

(XMOD)

0–127

(XMOD2)

Adjusts the depth of cross modulation.

FILTER

Here you can make lter settings.

Parameter Value Explanation

TYP

(TVF: FILTER TYPE)

OFF, LPF, BPF, HPF,

PKG, LPF2, LPF3

Selects the type of TVF lter when FILTER

TYPE is TVF.

OFF: O

LPF: Low pass lter

BPF: Band pass lter

HPF: High pass lter

PKG: Peaking lter

LPF2: Low pass lter 2

LPF3: Low pass lter 3

TYP

(VCF: FILTER TYPE)

FLAT, TYPE-JP,

TYPE-M, TYPE-P

Selects the type of VCF lter when FILTER

TYPE is VCF.

Each of these simulates the operation of an

analog synthesizer’s LPF.

CUT

(CUTOFF) 0–1023

Selects the frequency at which the lter

begins to have an eect on the waveform’s

frequency components.

Parameter Value Explanation

RES

(RESONANCE) 0–1023

Boosts the region of the sound near the

cuto frequency, adding a distinctive

character to the sound.

ENV

(ENV DEPTH) -63–+63 Species the depth of the lter envelope.

TVF/VCF

(FILTER TYPE)

TVF, VCF

Select either TVF or VCF as the lter type.

* TVF stands for Time Variant Filter, and is a lter

that allows detailed settings to be made for the

time-varying change in the sound’s frequency

components.

If VCF is selected, the simultaneous

polyphony will be less than when TVF is

selected.

(KEY FOLLOW)

-200–+200

Set this if you want the cuto frequency to

change according to the keyboard position

of the note you play.

SLP

(FILTER SLOPE)

-12, -18, -24 [dB/

Oct]

This button selects the slope (steepness) of

the lter.

For VCF, you can choose -12, -18, or -24.

For TVF, you can choose only -12 or -24.

If the lter TYPE is TVF, the following

limitations apply.

Only -12 dB or -24 dB can be specied.

Even if you specify -18 dB, the sound engine

operates internally with the -12 dB setting.

If you specify -24 dB, the simultaneous

polyphony will be less than when -12 dB is

selected.

HPF

(HPF CUTOFF)

0–1023

Species the cuto frequency of the -6 dB

high-pass lter.

* This parameter is eective when FILTER TYPE is

VC F.

ENV FILTER

Here you can make lter envelope settings.

Parameter Value Explanation

T1A

(T1 ATTACK)

0–1023

Species the time over which the initial

value changes to the maximum value after

the key is pressed.

T3D

(T3 DECAY)

0–1023

Species the time over which the SUSTAIN

value is reached following the ATTACK.

L3S

(L3 SUSTAIN)

0–1023

Species the sustain value of the lter

envelope.

T4R

(T4 RELEASE)

0–1023

Species the time over which the minimum

value is reached after the key is released.

ENV AMP

Here you can make amp envelope settings.

Parameter Value Explanation

T1A

(T1 ATTACK)

0–1023

Species the time over which the initial

value changes to the maximum value after

the key is pressed.

T3D

(T3 DECAY)

0–1023

Species the time over which the SUSTAIN

value is reached following the ATTACK.

L3S

(L3 SUSTAIN)

0–1023

Species the sustain value of the amp

envelope.

T4R

(T4 RELEASE)

0–1023

Species the time over which the minimum

value is reached after the key is released.

ENV PITCH

Here you can make pitch envelope settings.

Parameter Value Explanation

DEP

(DEPTH)

-100–+100

Species the depth of the pitch envelope.

Higher values make the pitch envelope

produce greater change. Negative “-” values

invert the shape of the envelope.

If the OSC TYPE is other than VA, this is

limited to ±63.

MC-101 Update – Functions Added in Ver.1.80

Parameter Value Explanation

T1A

(T1 ATTACK)

0–1023

Species the time over which the initial

value changes to the maximum value after

the note starts.

T3D

(T3 DECAY)

0–1023

Species the time over which the SUSTAIN

value is reached following the ATTACK.

L3S

(L3 SUSTAIN)

-511–+511

Species the sustain value of the pitch

envelope.

ENV COM

(ENV Common)

Parameter Value Explanation

ADS

(ADSR MODE)

The envelope works in simple A-D-S-R mode.

LFO 1/2

Here you can make LFO settings.

Parameter Value Explanation

WAV

(WAVE TYPE)

These buttons set the LFO waveform.

SIN Sine wave

TRI Triangle wave

SAW-UP Sawtooth wave

SAW-DW Sawtooth wave (negative polarity)

SQR Square wave

RND Random wave

TRP Trapezoidal wave

S&H

Sample and Hold wave (changes the LFO

value once every cycle)

CHS Chaos wave.

VSIN

Modied sine wave. The amplitude of the

sine wave is randomly varied once every

cycle.

STEP

A waveform generated from data specied

by LFO Step 1–16.

This produces a xed pattern of stepped

change like a step modulator.

* The MC-101 does not support step modulator

editing.

RAT

(RATE or RATE NOTE)

0–1023

(RATE)

This is eective if SYNC TEMPO is OFF.

Species the LFO rate without regard to the

tempo. Higher values produce a faster LFO

rate (a shorter cycle).

1/64T–4

(RATE NOTE)

This is eective if SYNC TEMPO is ON.

Sets the LFO cycle as a note length.

FLT

(FILTER DEPTH)

-100–+100

Species how deeply the LFO will aect the

cuto frequency.

PIT

(PITCH DEPTH)

-100–+100

Species how deeply the LFO will aect

pitch.

* If OSC TYPE is other than VA, the range is

limited to -63–+63.

FAD

(FADE IN)

0–1023

Species the time over which the LFO

amplitude will reach the maximum

(minimum).

SYN

(SYNC TEMPO)

OFF, ON

Set this ON if you want the LFO rate to

synchronize with the tempo.

AMP

(AMP DEPTH)

-100–+100

Species how deeply the LFO will aect the

volume.

PAN

(PAN DEPTH)

-63–+63

Species how deeply the LFO will aect the

pan.

Here you can make equalizer settings.

Parameter Value Explanation

(EQ SWITCH)

OFF, ON Turns the equalizer on/o.

(LO GAIN)

-24–+24 [dB] Sets the gain of the low frequency range.

Parameter Value Explanation

MID

(MID GAIN)

-24–+24 [dB] Sets the gain of the mid frequency range.

(HI GAIN)

-24–+24 [dB] Sets the gain of the high frequency range.

(MID Q)

0.5–16.0

Bandwidth of the mid frequency range.

Set a higher value for Q to narrow the range

to be aected.

(LO FREQ)

20–16000 [Hz] Sets the frequency of the low range.

MID

(MID FREQ)

20–16000 [Hz] Sets the frequency of the middle range.

(HI FREQ)

20–16000 [Hz] Sets the frequency of the high range.

MATRIX 1–4

Here you can connect various parameters as if you were patching

them.

You can connect up to four parameters.

Parameter Value Explanation

SRC

For an explanation

of each

parameter, refer

to the “Reference

Manual” (p.45)

“Parameter List”.

Species the control-source signal.

* If you specify SycCtrl 1–4, you can use the

panel [FILTER] [MOD] [FX] knobs to control the

parameters.

Species the parameter that is controlled.

For an explanation of each parameter,

refer to the “Reference Manual” (p.45)

“Parameter List”.

DEP

(DEPTH)

-63–+63

Species the amount (depth) by which the

parameter is varied.

VELOCITY SENS

Parameter Value Explanation

LVL

(LEVEL VELOCITY)

-100–+100

Set this when you want the volume of the

partial to change depending on the force

with which you press the keys.

Set this to a positive (+) value to have the

changes in partial volume increase the more

forcefully the keys are played; to make the

partial play more softly as you play harder,

set this to a negative (-) value.

CUT

(CUTOFF VELOCITY)

-100–+100

Use this parameter when changing the

cuto frequency to be applied as a result of

changes in playing velocity.

Specify a positive “+” value if you want the

cuto frequency to raise when you play

strongly, or a negative “-” value if you want it

to lower.

DEP

(FILTER DEP VELO)

-100–+100

Specify this if you want keyboard playing

dynamics to aect the lter envelope depth.

Specify a positive “+” value if you want the

lter envelope to apply more deeply as you

play more strongly, or a negative “-” value if

you want it to apply less deeply.

T4R

(FENV T4R VELO)

-100–+100

Specify this if you want key release velocity

to aect Time 4 of the lter envelope.

If you want Time 4 to be speeded up for

quickly released notes, set this parameter

to a positive (+) value. If you want it to be

slowed down, set this to a negative (-) value.

Produkspesifikasjoner

Merke:	Roland
Kategori:	Ikke kategorisert
Modell:	MC-101
Innebygd skjerm:	Ja
Vekt:	716 g
Bredde:	224 mm
Dybde:	132 mm
Høyde:	61 mm
USB-port:	Ja
USB-kontakttype:	USB Type-B
MIDI inn:	Ja
Produktfarge:	Sort
Antall USB-porter:	1
Type strømforsyning:	DC/batteri
Skjermtype:	LCD
Minnekortenhet:	SD, SDHC
Innebygd kortleser:	Ja
Hurtigstartsguide:	Ja
Strøm:	0.5 A
MIDI-utgang:	Ja
Utjevner/frekvenskorrigerer:	Ja
Skjerm med bakgrunnsbelysning:	Ja
Innebygd optisk driver:	Nei
Apple-docking:	Nei