Soundcraft Series TWO Bruksanvisning

Soundcraft Ikke kategorisert Series TWO

Les nedenfor 📖 manual på norsk for Soundcraft Series TWO (6 sider) i kategorien Ikke kategorisert. Denne guiden var nyttig for 2 personer og ble vurdert med 4.5 stjerner i gjennomsnitt av 2 brukere

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Side 1/6
Series Two Typical Specifications
Connections Impedance Level
Low Impedance Input (XLR) 2k . . . . . . . . . . . . . -60dBu to -15dBu /-40dBu to +5dBu (+27dBu max)Ω
High Impedance Input (jack) >10k . . . . . . . . . . . -60dBu to -15dBu /-40dBu to +5dBu (+27dBu max)Ω
Insert (jack) Unbalanced send/return 75 /10k . . . . . . . . . . . . . . 0dBu (+22dBu max)Ω Ω
Direct Out (jack) 75 Impedance balanced . . . . . . . . . . . . . . . . . . . . . . 0dBu (+22dBu max)Ω
Stereo Input/Return (jack) >10k balanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +4dBu (+26dBu max)Ω
Replay Input (RCA phono) >10k unbalanced . . . . . . . . . . . . . . . . . . . . . . . . . . -10dBV (+14dBu max)Ω
Record Output (RCA phono) 75 unbalanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . -10dBV (+22dBu max)Ω
Group Insert (jack) Unbalanced send/return 75 /10k . . . . . . . . . . . . . . 0dBu (+22dBu max)Ω Ω
Group Output (jack) 75 Impedance balanced . . . . . . . . . . . . . . . . . . . . . +4dBu (+22dBu max)Ω
Aux Output (jack) 75 Impedance balanced . . . . . . . . . . . . . . . . . . . . . +4dBu (+22dBu max)Ω
Matrix Output (jack) 75 Impedance balanced . . . . . . . . . . . . . . . . . . . . . +4dBu (+22dBu max)Ω
L/R/Mono Insert (jack) Unbalanced send/return 75 /10k . . . . . . . . . . . . . . 0dBu (+22dBu max)Ω Ω
L/R/Mono Output (XLR) 75 balanced . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +4dBu (+26dBu max)Ω
Mono I/P EQ and Filter
High Pass Freq: 40-400Hz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Slope: 12dB/octave
HF Freq: 12kHz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gain: ±15dB
HMF Freq: 550Hz to 13kHz . . . . . . . . . . . Q: 1.3 . . . . . . . . . . . . . . . . Gain: ±15dB
Frequency response
XLR input to any output +0/-0.5dB, 20Hz -20kHz
THD and Noise
Measured at +4dBu output 1kHz XLR in to Mix Output @ +20dBu <0.0065%
Mic Input E.I.N 22Hz-22kHz bandwidth, unweighted (200 source) <-127dBuΩ
Residual Noise (Mix Output) No inputs routed, Mix fader@0dB -88dBu
Bus Noise (Mix Output) 40 channels routed, input faders @ - , Mix fader 0dB: -79dBu∞
Bus Noise (Group Output) 40 channels routed, input faders @ - , Mix fader 0dB: -80dBu∞
Crosstalk
Measured at 1kHz Input channel muting: 90dB
Input fader cutoff: 90dB
Dimensions (Width/Weight)
CH mm inches kgs lbs
24 1037 40.83 31 68
32 1243 48.93 40 88
40 1449 57.04 48 106
SOUNDCRAFT
HARMAN INTERNATIONAL INDUSTRIES LTD.
CRANBORNE HOUSE,
CRANBORNE RD.,
POTTERS BAR,
HERTS, EN6 3JN, UK.
TEL: +44 (0)1707 665000
FAX: +44 (0)1707 660742
Email: info@soundcraft.com
http://www.soundcraft.com
SOUNDCRAFT USA
AIR PARK BUSINESS CENTER 12,
1449 DONELSON PIKE,
NASHVILLE TN 37217, USA.
TEL: 1-615-360-0471
Tollfree: 888-251-8352
FAX: 1-615-360-0273
Email: soundcraft-usa@harman.com
http://www.soundcraft.com
Soundcraft reserves the right to improve or otherwise alter any information supplied
in this document or any other documentation supplied hereafter. E&OE 12/99
This equipment complies with the EMC Directive 89/336/EEC
Part No. A4; ZL0543 US; ZL0544
Soundcraft Registered Community Trade Mark / RTM No. 000557827
More features. More flexibility. More performance.
T
he new Soundcraft Series TWO
live performance console
delivers more features, more
flexibility and more performance than
any other console in its class.
Backed by twenty-seven
years of pro-
console
know-how,
the new Series
TWO brings
legendary
Soundcraft
performance,
ergonomics and reliability within reach of
even the tightest tour and install budgets.
From the classic 3-tier raked styling to
the 8-bus, 8-Aux structure for which
Soundcraft live consoles first became
famous, the Series TWO is packed with
professional features.
Frame sizes of 24, 32 and 40 channels
are available, each with two fully-
featured stereo input channels as
standard, LED bargraph metering for
every input and output, an 11x2 matrix,
and MIDI muting.
Sound quality is everything you’d expect
from a console backed by the reputation
of the Soundcraft brand, assured by the
use of high-grade components
throughout such as an ultra-low noise
input stage which minimises signal
degradation and improves overall sonic
performance.
Completing the standard feature set are
the classic Soundcraft 4-band EQ with
two sweepable mids, high-pass filtering
on every mono channel, 8 Group outputs
with Stereo and Mono master busses, and
4 stereo returns with routing and tilt EQ.
If you thought you couldn’t afford a
professional live sound console with all
the features you need for the most
demanding show or installation, prepare
to think again.
The new Soundcraft Series TWO.
More features. More flexibility. More
performance.
It all started here:
The original Soundcraft Series 1
Series TWO Input Channels
MONO INPUT CHANNEL
Benefiting from 27 years of Soundcraft
console design experience, the Series TWO’s
innovative circuit design allows for the
inclusion of more features than ever before
at such a low cost. From the all-new mic
preamp design at the top to the flattened
fader-tray at the bottom, the Series TWO’s
feature-packed mono input channel ensures
optimum sound quality and control
throughout the mix.
INPUT SIGNAL METERING
Every input channel on the Series TWO has its
own, dedicated 12-segment LED bargraph
meter which reads the peak level of the pre-
fade, post-EQ input channel signal. The
uppermost LED on the meter, identified by the
adjacent legending ‘PK’, has a peak hold
facility which monitors both the insert send
and pre-fade signals, warning the engineer in
the event of clipping in either signal path.
INPUT STAGE
The -20dB gain change switch combines with
the SENS control to create an input stage
which allows signals from -60dBu up to a
maximum of +26dBu to be accommodated,
and by splitting the control into two ranges,
allows finer adjustment. The high maximum
input level means that even the hottest mic
signals from snare or kick drums can be
handled via the XLR input. The -20 switch
works as an active gain change rather than a
passive PAD, and provides better noise and
common mode rejection performance as a
result. Also included at the input stage is a
phase (ø) switch which inverts the phase of
the signal.
FILTERING
A switchable high-pass filter can be set to
remove any unwanted low-frequency content
in the range 40 to 400Hz.
EQUALISATION
The Series TWO’s EQ section follows the classic
4-band design pioneered by Soundcraft in the
1970s. Two sweepable mid frequencies are
provided, the lower of which operates between
80Hz and 1.9kHz, with the high-mid accessing
550Hz to 13kHz. LF and HF are also provided.
All four bands provide an impressive gain
range of ±15dB. The entire EQ section can be
switched in and out of circuit.
AUX SENDS
8 Auxiliary sends are provided, switchable in
pairs to be pre or post fade. When the
PRE=PREQ switch is engaged then any
Auxiliaries which are set to pre-fade will also
be sourced pre-EQ.
ROUTING & PANNING
The channel output is routed to the 8 Group
outputs in pairs, with the PAN control
sweeping between the odd and even-
numbered busses. The MIX switch routes the
signal to the main Stereo output bus, while the
MONO switch allows a separate Mono Mix to
be generated from a selection of channels, for
uses such as a foyer mix or for driving a
central speaker cluster.
FADER & MUTING
The Series TWO frame is designed to separate
the faders from the rest of the input channel,
placing them in a flat area at the front of the
console. This provides a clear, uncluttered area
in which to mix.
The MUTE switch, accompanied by an LED
activity indicator, cuts the output to all busses
- Auxiliary and Group - regardless of pre or
post-fade settings. It can be operated locally
or controlled by a mute group or MIDI
snapshot from the master section. The mode of
the SOLO switch, which again is accompanied
by an LED, is determined on the master
section. It can either function as a mono PFL
to the engineer’s headphones or monitors, or
can be configured to trigger a Solo-in-place
(SIP) whereby all other channels are muted.
The DIR PRE switch causes the direct channel
output to be sourced pre-fade and pre-mute -
very useful for providing feeds for live
multitrack recording.
REAR PANEL CONNECTIONS
+48V phantom power is available on all mono
inputs, and is enabled via the rear panel
switch. The mic input is via a low impedance
balanced XLR, while line level signals can
either be connected via the XLR input, or to
the high impedance balanced 1/4" line jack.
Plugging into the jack socket will override any
signal connected to the XLR. The line jack is
isolated from phantom power. The channel
insert is on a 1/4" jack with the send on the
ring and the return on the tip. The direct
output is on an impedance balanced 1/4" jack.
STEREO INPUT CHANNEL
All the Series TWO’s frame sizes incorporate
two stereo input channels, which are located
just to the left of the master section and are
designated as STE 1 and STE 2. Similar in
operation to the mono channel, they provide
that crucial additional flexibility required for
complex live setups.
INPUT SIGNAL METERING
Just as the mono inputs, all four stereo inputs
(L and R for each of STE 1 and STE 2) feature
dedicated 12-segment LED bargraph input
signal meters.
INPUT STAGE
The Series TWO’s stereo input channels are
designed for line level signals, and input gain is
adjustable by a single rotary pot.
EQUALISATION
Four bands of EQ are provided: HF, HMID, LMID
and LF. The entire EQ section can be switched
in and out of circuit via the EQ switch.
AUX SENDS
The eight discrete Auxiliary sends route a
summed stereo signal to each of the mono
Auxiliary sends. Each pair of sends is
switchable pre or post-fade.
ROUTING & BALANCE
The channel output is routed to the 8 Group
outputs in pairs, with the BALANCE control
governing the stereo spread between the odd
and even-numbered busses. The MIX switch
routes the signal to the main Stereo output bus.
FADER & MUTING
As on the mono channel, the LED-indicated
MUTE switch cuts the output to all busses -
Auxiliary and Group - regardless of pre or
post-fade settings. The mute function can also
be activated from the master section, via a
mute group or MIDI snapshot. The SOLO switch
can function as a PFL or, when Solo-in-place is
engaged on the master section, can cause all
other channels to mute while the soloed
channel is heard ‘in situ’ along with any
associated effects.
REAR PANEL CONNECTIONS
Inputs to the two stereo channels are via four
balanced 1/4" jacks.
Mono fader
Mono input channel
Stereo input meters
Stereo fader
Stereo rear panel connections
Mono rear panel connections
Stereo input channel (2 included as standard with all frame sizes)
Mono input meter

Produkspesifikasjoner

Merke: Soundcraft
Kategori: Ikke kategorisert
Modell: Series TWO

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